"People just wanted me to sing and that's it. Our personal reactions are very unique to who we are, so my performance and reactions should be different to another singer and vice versa. All the cast sounded as if singing in different rooms. Main navigation Menu. Im not saying that Im a killer (laughs), but I understand her passion and envy. Kristine Opolais' spectacular debut in the title role of the new Munich Rusalka may have catapulted her to stardom in the opera world overnight, and one would be hard put to overlook the fact that she is tall and gorgeous, but her easy and entirely unassuming manner convey more of a girl-from-next-door impression. Kristine Opolais is the young woman whose conflicting desires for love and luxury lead to her tragic end, and Roberto Alagna plays the man who falls for her in Puccini's early hit. Kristine Opolais Sings Dvok's Rusalka, "Song to the Moon" Opolais fully immersed in the opera experience, absorbing everything in her path. I just remember I wanted it, and I thought I could do it. roh.org.uk/productions/tosca-by-jonathan-kent. When I was 26 and singing Aida, I was listening to Aprile Millo at the Met and it helped a lot. She laughs: I am afraid of mouses very much and there was always mouse or some animal droppings on the bed, aaaagh! People just wanted me to sing and thats it. I then thought about the good reputation I had at The Met, which I had worked so hard to build. But she noted that she is too emotional for Suor Angelica, which she finds heavier psychologically than Butterfly and living the part onstage is painful for her to endure (she also noted that the same happened to her with Jenufa and she ultimately decided that she could never give her best in the role and withdrew from a number of planned performances). The soprano noted that this return to her own identity came during the performance of La Bohme at Tanglewood in August 2018 under the baton of her ex-husband Andris Nelsons. Her net worth has been growing significantly in 2021-2022. But for Opolais, Angelica is a far more challenging opera on many fronts. Adriana was happy to see me at home with her, but I was depressed, Opolais noted. I couldnt focus my brain on the arts because of divorce, heath issues and chronic tiredness, and also my daughter was going to school and I didnt really have time for my art. He sees that they might fare better if he could pawn her off on Geronte (capably sung by English bass Brindley Sherratt ), a wealthy geezer who can keep her in luxury. She sang intelligently, finding considerable power in her essentially lyrical voice when required.\, The looks speak for themselves, though photos don\t do justice to her porcelain skin or the Baltic-pale eyes. But as Adriana grew, she realized it was selfish. Website by Lenny's Studio. This masterpiece, popular worldwide, inexplicably took 92 years to reach Metropolitan Opera, where the . When Im in love Im extremely jealous and when Im not, I couldnt care less. 17:05 Affaire conclue, tout le monde a quelque chose vendre. My singing is part of the complete package. She had to give her daughter a better life, but she also needed to go back to taking the artistic risks she always had. This highly acclaimed production from the Bayerische Staatsoper, a powerful and fascinating re-interpretation of Dvorak's fairy-tale opera Rusalka, was a revelation: The young, up-and-coming Latvian soprano, Kristine Opolais, whose performance was rightly hailed by the press as "one of the most vivid and striking accomplishments seen on an opera stage in a long time" (Vienna's leading daily . Then she went on tour with the Gewandhausorchester Leipzig, also under Nelsons. But then it was like my mind started talking to me, saying Kristine, when have you ever been so pragmatic?. I have a survival instinct that I cant turn off. Its hard to be so-so everywhere so I wanted to give myself time to recover psychologically.. I feel now I must ration the number of these performances, it is so hard. kristine opolais Rate the pronunciation difficulty of kristine opolais 0 /5 Very easy Easy Moderate Difficult Very difficult Pronunciation of kristine opolais with 1 audio pronunciations 0 rating Record the pronunciation of this word in your own voice and play it to listen to how you have pronounced it. Im not saying that Im a killer (laughs), but I understand her passion and envy. "Vocal cords start to tire after two hours. If you want to just sound beautiful, save that mentality for the recording, but keep it away from the stage. Now her perspective has shifted somewhat on the role, as she feels that Cio-Cio Sans sacrifice comes with the understanding that her child will be in a better place without her. VAN: In Leipzig from May 18 to 21, you're singing a concert program with Andris Nelsons and the Gewandhausorchester. Copyright 2023 Kristine Opolais. Many would say that this is exactly what sets Opolais apart today. There is something to be said for embracing the vulgar in Puccini. Hiroyuki Ito for The New York Times. You cannot be relaxed when you go on stage, if youre not afraid then theres something very wrong. Her debut in the role (replacing Anja Harteros) came in Jonathan Kent\s Covent Garden staging in June last year, when she and Kaufmann got exceptional reviews. Her unapologetic performance style and ability to portray herself through her heroines has her comfortably placed as one of the most sought after international sopranos today. He also had the opportunity of interviewing numerous Oscar nominees, Golden Globe winners and film industry giants such as Guillermo del Toro, Oscar Isaac and John Leguizamo among others. I dont think Ive ever been so frightened in my life walking to the theatre that morning, it was horrific. This decision to unwind allowed the soprano to come to terms with a few aspects of her life. By Rian Evans. We also use third-party cookies that help us analyze and understand how you use this website. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. Its not something I can do when I am performing. I am not afraid. In 2008 she returned to Berlin and the Staatsoper as Polina in Prokofiev\sThe Gambler, with Daniel Barenboim conducting. When it did happen I found that I just got lost in the staging, I was very unhappy and I couldnt make it work. NEW YORK It wasn't the first time he'd heard her sing. @ToccataMusicGrp, New month, more archive: revisit our profile of the great Christa Ludwig in March 1973. The soprano noted that this return to her own identity came during the performance of La Bohme at Tanglewood in August 2018 under the baton of her ex-husband Andris Nelsons. There was a lot of shit in my past, thats the only word I can use to describe it. When I get home, I try to just be there for my daughter. WHERE DOES THIS ENERGY COME FROM? There was a lot of shit in my past, thats the only word I can use to describe it. Coming home from work, she knew immediately if the young Kristne had been singing that day-the hairspray can was no longer where she\d left it and, microphone in hand, Kristne would have been giving her best Madonna routine to an imaginary audience. Some people say that when youre truly in love with someone youre not jealous, but Im the complete opposite. Over the past few years, the Latvian artist has found herself questioning her own artistic identity and ending her marriage. In this honest and humble interview with. These cookies do not store any personal information. Richard Eyre's elegant production, which sets the action in 1940s occupied France, was one of the highlights of the Met's 2015-16 season. Click Here: Described by the Daily Telegraph as the bible of the industry, OPERA has been the worlds leading commentator on the lyric stage for nearly 70 years. People just wanted me to sing and thats it. Meanwhile, the soprano, who also started taking better care of her physical health, was rethinking her artistic identity and consulting with the people who she trusted most. An audition for the company\s new music director brought her debut as Musetta, fast-tracking her into solo roles and swiftly afterwards into leading roles including Li, Cio-Cio-San, Tosca, Tatyana, Lady Macbeth of Mtsensk, Senta. Stanford Libraries' official online search tool for books, media, journals, databases, government documents and more. The orchestra and conducting and chorus also was superb. You also have the option to opt-out of these cookies. But it cant all be pain and hurt, you have to be able to feel love and compassion on stage and for that I have my parents as inspiration. Over the past few years, the Latvian artist has found herself questioning her own artistic identity and ending her marriage. Quite aside from her impassioned singing and acting, Kristine Opolais is what the Edwardians would have called a stunner - a rangy blonde in tight black leather trousers who sails into the room. She had to give her daughter a better life, but she also needed to go back to taking the artistic risks she always had. Now, she could not look away. Our meeting takes place in Antonio Pappano\s office at the Royal Opera House, where the photographs on the walls make it something of a shrine to Giacomo Puccini. Opolais\s instinctively verismo approach would surely have delighted Puccini, and she laughingly suggests that, given her passion for his music, they would probably have enjoyed a big love affair. Opolais is OK a little shrieks at times but Artur Rucinski has a great voice, I had never heard him or Demitry Korchak before but was very impressed with the vocal technique and quality and interpretation. Concert (Konzert), Various Concert/recital/oratorio. All rights reserved. You need two voices. Per Opolais, that recording was done in two days with minor preparation. During Adrianas early years, the soprano had taken her daughter everywhere she could. So 12 hours -- that's a lot!" Alagna told AFP in his dressing room at the New York opera house. As soon as you are limited and someone tries to put you in a box, it can kill you as an artist.. After all, this is an artist who decided to drop out of the conservatory despite being told repeatedly that she would never have an opera career if she didnt finish her studies. For this reason, she loves rehearsals because she has the time and space to understand the characters emotions and anticipate the pain and suffering that she will have to endure when she gives herself over fully to interpreting the person in the performance. Tell us about your approach to building a character. Shes very sensitive. Kristine Opolais was haunted and focused her suffering and transcendence were chillingly real, added the New York Times Zachary Woolfe. On Fryderyk Chopins birthday, heres one of the songs his friend the great Pauline Viardot arranged from his mazurkas. Today, I walk on stage and I completely transport into the character. In retrospect too, the time spent taking lessons with Margreet Honig in Holland, eking out the money, had something of the artist in the garret waiting to make good. Known as "haunted and focused" Kristine Opolais brings a breath of fresh air to the operatic stage. When I did Butterfly I sang with a Scotto voice-I could imagine her sound and I could produce it. Achievements continued to stack up. YOU ARE A DISRUPTOR ON THE OPERATIC STAGE, YOUR PERFORMANCES ARE UNAPOLOGETIC AND FULL OF FIRE. Opera Magazine Features People Kristne Opolais, Obsession. I wouldnt have been able to bounce back if it went badly the stakes were too high. I had been partying with colleagues after the production (laughs), there was no way I could do it! I never use a score when conducting my orchestra Does a lion tamer enter a cage with a book on how to tame a lion? The great conductor Dimitri Mitropoulos was born in Athens #OTD in 1896. But then it was like my mind started talking to me, saying . And I knew that that was not good for her either. She sang with conviction, acted truly and brought this manipulative yet annoyingly moving melodrama to a fervent emotional climax.\ Just hours later, Opolais would further endear herself to New York and a global audience by singing Mim in the afternoon\s live broadcast ofBohme. Where does your head go when you perform? 2021 Final Note Magazine. Then theres the fact that Adriana isnt really a big opera fan. During his time at Fordham, he studied abroad at the Jagiellonian University in Poland. It feels like one big force watching me and keeping me safe. "People just wanted me to sing and that's it. She needs to start her life.. Opolais maintains this strong relationship with the Met, ever since her debut as Magda in La Rondine in 2013. The company's new production of Manon Lescaut, which just ended its run, featured Kristine Opolais and Roberto Alagna as the leading couple, an A-list duo that . 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